owned a code 25 for a while now but only really started using it during lockdown but have to say I'm really impressed. I'm just using it for living room playing and connected to my DAW as a way of laying down ideas but seriously, it's REALLY good.
For context, I've played guitar for 27 years and working in live music has been my primary source of income (pre lockdown....) for around 17 years. I'm usually a live-sound engineer and tour manager and occasionally fill in the gaps with some guitar-teching. I'm uk-based but have international clients, mostly guitar-based, playing mostly academy sized venues but have done major festivals worldwide and one short stint of an arena tour. The point here is not to blow my whistle, simply to say I've spent a lot of time being exposed to all manner of amps and modelling.
I own a line 6 helix and while the CODE isn't as flexible with regards to I/O, I genuinely feel like it's amp-modelling, especially for crunch, fuzzy or blown out tones, blows the Helix out of the water. Not that I'm as likely to use metal tones or had much cause to tweak them but I've noticed those kind of presets can sound a little thin. Also, higher gain sounds in general could benefit from a graphic EQ somewhere in the modelling chain, as it can be prone to squeak at frequencies usually outside of a regular amps range, presumably because of the full-range nature of the cab.
So, my query is, is there any chance that the CODE range is likely to get any substantial firmware updates or maybe 2nd generation hardware that could bring additional functionality/Pro level durability and a decent footswitch... I'm impressed that you've managed to get that much functionality out of a mono-jack but a few extra switches or even just midi connectivity for use with after market footswitched to access would open the amp right up.
Personally, I'd love to see one capable of more complex I/O routing i.e. the ability to record your dry input to DAW over usb and similarly, route from the DAW to the amp input for re-amping.
Midi I/O and an xlr input with phantom and a decent sounding pre would make it a nice little hub for a solo recording setup.
Anyway, great work Marshall/Softube, really hope you develop the line further.
can my Code 100h works with a standard midi footswitch? The Code 100h has a midi-usb but my Digitech Footstwitch has a standard-midi inteface: can i use an adaptor midistandard-midiusb?
i switch through my presets with the Marshall PEDL-91009, however, this pedalboard only has 3 switches and a bank switch, however i would like to have a pedalboard with more than 3 preset switch button for faster recall ... is there a solution (maybe via MIDI) , or a compatible footswitch that i am unaware of?
Hey all - new to the forums, new to Marshall amps and had a few questions about the Code 50 I just ordered that will be here in a day or so. I have played my guitars through my buddy's Code 50 and am familiar with editing the patches, tweaking the tones and getting the sounds that I want from the amp to fit my playing style. What I am not familiar with is the use of footswitch and any Midi capabilities it may have.
1) Can one use just a regular on/off type of old school footswitch to turn an effect or amp on/off or initiate a patch change? I have several old school footswitches I have successfully used on many different amps, albeit older amps, and it has always worked. Curious since the Marshall footswitch actually holds presets if anything like that would work.
2) As far as Midi goes, I come from a Line6 multi-effects world and know that many of their multi-effect units have the capability to control effects on/off/parameters and patch/bank switching via Midi commands. Does the Code software have anything like that if hooked up to a PC/Mac running a DAW that has the capability to send midi control commands to change patches/effects realtime during recording/playback.
Thanks for any input and excited to get this amp. I am a player of over 30 years and have only ever played through Crate amps for the past 20+ years that have finally given up and the cost to repair is more than new. Bash Crate all you want but they were loud and proud and with the right EQ/effects loops made some damn good musical sounds.