Hi guys just wondering if anyone has got a preset to play the above 

cant seem to get the right sound on my Code 50 

Cheers in advance

Hi,
owned a code 25 for a while now but only really started using it during lockdown but have to say I'm really impressed. I'm just using it for living room playing and connected to my DAW as a way of laying down ideas but seriously, it's REALLY good.

For context, I've played guitar for 27 years and working in live music has been my primary source of income (pre lockdown....) for around 17 years. I'm usually a live-sound engineer and tour manager and occasionally fill in the gaps with some guitar-teching. I'm uk-based but have international clients, mostly guitar-based, playing mostly academy sized venues but have done major festivals worldwide and one short stint of an arena tour. The point here is not to blow my whistle, simply to say I've spent a lot of time being exposed to all manner of amps and modelling.

I own a line 6 helix and while the CODE isn't as flexible with regards to I/O, I genuinely feel like it's amp-modelling, especially for crunch, fuzzy or blown out tones, blows the Helix out of the water. Not that I'm as likely to use metal tones or had much cause to tweak them but I've noticed those kind of presets can sound a little thin. Also, higher gain sounds in general could benefit from a graphic EQ somewhere in the modelling chain, as it can be prone to squeak at frequencies usually outside of a regular amps range, presumably because of the full-range nature of the cab.

So, my query is, is there any chance that the CODE range is likely to get any substantial firmware updates or maybe 2nd generation hardware that could bring additional functionality/Pro level durability and a decent footswitch... I'm impressed that you've managed to get that much functionality out of a mono-jack but a few extra switches or even just midi connectivity for use with after market footswitched to access would open the amp right up.

Personally, I'd love to see one capable of more complex I/O routing i.e. the ability to record your dry input to DAW over usb and similarly, route from the DAW to the amp input for re-amping.

Midi I/O and an xlr input with phantom and a decent sounding pre would make it a nice little hub for a solo recording setup.

Anyway, great work Marshall/Softube, really hope you develop the line further.

Having problems storing presets to foot switch- manual not helpful. Does anyone have step by step instructions? Many thanks

WHY IS THERE NO DELETE OR RESET BUTTON ON GATEWAY APP TO REMOVE PRESETS WE DONT LIKE OR PUT ON BY MISTAKE?

on both sets of 100 presets i have  no.00 on amp as JTMChill but on gateway El34 heaven, WHEN I FIRST OUGHT AMP THIS WEEK I REMEMBER SEEING jtmCHILL so why has it been replaced on gateway app and where has EL34 Heaven come from how do i get JTM CHILL BACK ON GATEWAY

could somebody tell me why my preset no.00 on amp was called JTM chill but when i open gateway app its now EL34 Heaven which after looking at all parameters is a completley different preset i just got the amp and havent knowingly changed anything ? which is the default and how do i get them to match?

I have just got my new Code 25 so sorry for all the questions  ( despite watching all tutorials )im not quite  getting it , in  my library of presets , i just noticed that no.00 has changed names ,it was called something chill it has now changed to EL34 Heaven i didnt change it as i dont know how ,is this correct?

i have watched all the videos on this but still dont get it .

If i download one of the user presets  from My Marshall does it replace one of the 100 already there  ,or is there extra space that becomes available? and if saving to gateway does it have to replace one of those as when i open gateway library there are just 0-99 ,does this number keep going up?

is it possible to play code 25 amp naturally without having any presets on? if so please explain?

having never used amp with more than one volume what is purpose of volume dial and master volume,? and what volome should guitar default be when using presets , also is there a setting for playing a bit quieter without losing effect of the presets?

Hello!

I've registered today on my.marshall.com and added some presets to "My Library" section. The thing is when I go to "My Gateway" section on this site, so I can add the presets I've just added to the library of presets list that I see on the APP on my phone (Android) so I can play them, I see the following message:

You haven't synced any presets from a Gateway app yet.

Click here to download the Marshall Gateway app now.

I've already downloaded the Gatewayy APP on my phone, and I'm actually logged in my phone too, and by the way I've synced my phone with the "Sync Now" button on "My Marshall" section on the APP many times just in case. On the other hand when I enter "My Gateway" section, the "My Library" list of presets I've just added it's there at the bottom of the page, but I can't move them to the 100 preset list that is already loaded in my phone like I've seen on tutorial videos (the 100 presets aren't there).  Seems my.marshall.com can't recognize the syncing. I've logged in and out of my.marshall.com and on the app, with no effect; it doesn't make a difference if the amp is on or off. Any help would be greatly appreciated, thanks!!

Does anyone use Code amps for gigging? I have a Code 50 that wouldn't work for my main band but I also play in a punk band that plays a lot of smaller venues/DIY's/house gigs etc.., the problem I have when I've tried to use it for these smaller gigs is that when I turn it up loud it gets staticky. Is this just part of the deal with solid state amps? (My normal stage rig is a 100 watt JCM900). Should I have the preset volume down lower and the master volume cranked? Maybe vice-versa? Both loud? Is it the presets I'm using? Any help would be greatly appreciated....

It is quite easy to reorganise presets using the My Gateway webpage, which then syncs to the app. However, I like to keep my presets on the app and amp the same, and it is quite arduous to transfer them all manually, is there any way to transfer all presets from the app to the amp at once?

Hi,

I've gotten used to the sound of my MG 15 CDR and I'd like to have a preset to replicate it. Does anyon have one or know how I can achieve that?

Thanks, 

Dear Marshall Mates,

I can't reach a good sound for BONJOVI - DRY COUNTY SOLO, did any of you already worked on a preset?

Thank you!!!

Preferably like the tone in the song "The Slider"

Hi,

Wanting a bit of guidance... still within my first 24hours of ownership. I have the Gateway app, can play music and change pre-configured presets. But when I log into the Marshall site and try to download presets, I click (what looks like the doorway symbol) to download and end up with an 'X' on that symbol. It also says at the bottom of the page that I'm not connected... despite what my phone's settings (Galaxy S9, using Chrome browser) says. Really want to load up some of those presets that some people have put a lot of time into.

Thanks

Peter

Does anyone have a preset that is close to CC Deville of Poison?

Thanks

Every time he touched her depths with a well-angled thrust her mind scattered. She could no longer think or even resist. It took all her concentration to not moan and cry out loud.

She tried to balance, but as he pressed in, gripping her hips to slide his shaft into her, she seemed to be almost floating against him. Finally, Anne gave up trying to escape and sagged against him, letting him take her without resistance.

"Good girl," he growled softly in her ear, "take it." His pace quickened, his hand gripping her thigh with a bruising pressure.

He thrust up a couple times, as deep as he could, lifting her feet from the ground. And then just held it there. She felt him pressing into her with every muscle he had, an incredible power about to make her explode.

Anne heard Ben grunt softly and his hips arched again, trying instinctively to get his dick as deep as possible. His cock flexed inside of her once, twice, and then she felt liquid heat spread inside her. He was cumming! Panic gripped Alice again—she was unprotected and he was cumming deep inside her! She would get pregnant. Her college life would be ruined.
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Ben didn't seem to notice her renewed tension and continued to milk his cock into her depths with short jabs of his hips. And then with a sigh he relaxed, resting his forehead on her shoulder. His dick was still deep inside her, plugging her, holding his cum inside her.

"I'm not on birth control," Anne sobbed under her breath.

"It's okay, baby," Ben whispered into her shoulder, his voice tinged with amusement again, "I'll take care of it. But I don't cum outside sweet girls."

Anne could feel his cock softening by a degree. The discomfort of his cock stretching her virgin pussy to her max was replaced by the trickle of wetness down her thigh. Still, Ben did not shift or pull out of her. She wondered what kind of mess there would be when he did. She felt he wanted to plug her for as long as possible—keep his cock, and his cum—inside his conquest as long as possible.

She wriggled in his lap as Ben's dick softened, hoping to free herself from both his shaft and his grip. Unfortunately, as she did so she realized why he had not pulled out of her. Her wriggling was making him grow hard again.

"Noooo," she groaned.

"Yes," he murmured in her ear, "just relax and enjoy it."

Still disguising his movement with the jostling of the bus, Ben started to flex his hips against her again. With each thrust his shaft hardened. Now slick with both her fluids and his first load of cum, his passage was even easier. The added wetness was also reliving some of the discomfort for Anne. His free hand bobbed down to her vulva again, massaging her clit with his free hand.

Warmth and pressure was building inside Anne's core against her will. The heat spread from her clitoris to her pussy, where the friction of his thick cock was making the pressure build.

She'd masturbated before, of course, but this was something else entirely. She bit her lip and resisted the heat building as best she could. It would be humiliating to cum on a cock that had been forced inside her—and on a bus surrounded by her teammates no less!

Ben's pace with his thrusting was more measured and relaxed now that he'd come once. But his shaft was no less hard. Other than the bruising pain of her cervix when he pressed deep, the discomfort had faded. Now it was slick heat and friction building, building, building...

The orgasm took Anne by surprise, flashing over her like a wave as Ben's fingers circled her clitoris. She turned into his shoulder, pressing her face into his shirt to muffle the moan that escaped her as she shuddered in his firm grip.

She forgot about the crowded bus, and what was going on her for a moment as waves of pleasure diffused her.

What brought her back was the increased urgency of Ben thrusting into her. His free hand was on her thigh again, pulling her back further onto his cock until his engorged glans bumped against her sore cervix. He was going to cum again. But Anne's muscles felt lax and unresponsive after her orgasm, and though she pushed feebly against him he thrust hard up into her pussy one more time and came as deep as he could. She could feel his shaft twitching as he released his load—and the walls of her pussy flexed as if to drain him of every drop.

With a sigh Ben finally relaxed his grip on her. The arm around her waist softened its hold and his other hand was removed from her thigh.

Stunned, Anne didn't move.

Ben's cock stayed inside her until it softened enough to slide out of her in a rush of fluid. Then, thought a word he shifted his gym shorts and tucked away his cock as though it were a harmless tool—all still under the cover of her spread skirt.

Anne was in shock. So she remained where she was on Ben's lap, his cum leaking onto her cotton thong which he'd pulled neatly back into place over her puffy abused vulva. She'd just lost her virginity to the quarterback of her college football team. On a moving bus.
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But no one had seemed to notice. Everyone was laughing and deep in conversation or handheld videogames.

She shunted her mind away from her fears of pregnancy, as difficult as that was feeling the slickness of his spunk coating her insides right now. She would have to worry about that later. She didn't understand what Ben had meant that he'd "take care of it." At least it was over now. Right?

Meaning, can I download an interesting user-submitted pre-set to the CODE and then just reset the amp if I don't like it?

Thanks, in advance