Hi

Would I be able to run 2xJVM 215C amps in stereo in 5 cable method ? I'm a little confused about the 2 x master volumes, I imagine that if I use one for my master volume (Master 1) I would adjust that to the same level on both amps and if I use the second master volume for solo level (Master 2) I would need to adjust that as well on the second (slave amp) as well as the master amp (the one with the preamp I'm using).

To access the solo boost on both amps I would send a midi PC command to both amps which would enable the Master 2 on each amp which would then be at the same level?

Would that be right please ?

Thanks

Paul

Hi I have a JVm410H and I'm looking at buying a Gig Rig G3 programmable footswitch so I can store various pedal combos, and then switch with one push, both the pedal combo I want and also the Marshall channel I want at the same time.

Is this possible using a) the Marshall footswitch or b) using the MIDI In/Out on the head?

Any help most appreciated

Cheers

Hi ! 

i was wondering, is it possible to use MIDI via a bluetooth connection ?

In fact i'd like to use a simple DAW application on my Android tablet to make some music using my Marshall Code. My Code amp connect to my tablet and the Gateway app runs nice, no problem. In the DAW app (which is for now BandLab), i see an option about a "Connected MIDI Devices" and my Code doesnt appear there. So i asked myself if the MIDI interface was really available with Bluetooth ? Or is there something special to configure or install ?

thanks in advance !

Z

Hi,

I understand that the Code 50 can send/receive MIDI over a USB connection.

Is there a MIDI Implementation document somewhere so that I can see what commands do what?

Thanks

Mark

Hi everybody

Can you record from your code? I mean, to send midi informaition to yorur computer, and your Daw? Like cubase or something like this?

Thank you😊

Impossible de mettre a jour le fireware. J'ai fais toutes les modifications proposées par le site (chrome : vérification de mise à jour et modification pour acceptation midi) mais j'ai toujours le message "CODE : pas connecté. 

Comment faire cette mise à jour ?

Hi  I am new around the forum.  

I have written software in the past for editing Alesis quadraverbs and want to do something for my JMP-1.  Alesis published their midi communications protocol but I haven't found anything for the JMP-1.   Does anyone on the forum or at Marshall have something they can share please?

thanks

Phil

Is there a document what the DSL40 responds to via a midi footswitch? Any information is appreciated.

Lloyd Plueschow

As stated above, I'm trying to update my Code 25 to the newest firmware update, but no matter what I do, I can't get it to connect. I have MIDI allowed through Chrome, also tried Microsoft Edge, but both are telling me that my Code isn't connected at the bottom right.

Only thing to try next is to buy a Midi Mini USB cable to see if that fixes the problem, does anyone have any input on this?

Trying to connect to amp via USB and miniB cable. Unable to connect says code: not connected.

Enabled MIDI still no connection. tried a reset on marshall code 50 amp.

Does not reset for connectivity

PLease help

My Code 50 Makes a weird Hissing/Crackling sound when I am using the USB Input on the amp and using it in Reaper, Can anyone please help?

Hello when I attempt to connect my Code 25 for a firmware update the device is not recognized. It says USB malfunction. I read a post that says I must use a midi compatible cable. Is there a particular way to identify if the cable is compatible or not. If I search the cables I find do not seem to have the proper connector. Thanks

I bought a midi controler, but i dont have de marshall code to program the midi control

How do  I get my JVM410H  to recognized channel changes via midi foot controller?

Michael J Miller

MJM

www.mjm.global

Hello everyone, I wanted to tell you about my situation and if you can provide me with any advice or help. 

I have about 4 months ago my Marshall CODE 25 because I liked its characteristics and its comfortably to play in home.
but now I tried to connect it with my pc to use it as an interface and I couldn't, becouse it dosen't appaers in my daw.
When I put the usb cable, the guitar did not sound in the amp and I assumed that because the sound would go to my pc, 
but when I took it out, my guitar did not sound,it does not pick up my guitar. 
I tried his bluethooth function and my amp plays the sound of my phone.
Maybe conect the cable usb make some mistake in the software, i don't
now
I've tried turning it on and off several times and resetting the amp. Please I would appreciate
a lot if you could give me any helpful information as I tried my best to have it and i worked hard to have 
that amp.

I have tried for ages to get this to  work with no progress. My tablet connects to my amp ok. But to get it to access the on line library so I can download. It just has become inpossible . 

I have tried everything in the browsers to hopefully turn things on . Not one bit of progress was attained.

Someone must know how this works.............Any ideas.

Hi all,

Happy New Year! 

I have recently switched from a MacBook to a Windows 10 desktop and had previously recorded via USB straight into Garageband using the CODE with no issues at all. After switching to Windows 10 I can't get the CODE to connect though, it wont recognise in Chrome to manage the presets (I just get the "CODE: Not Connected" message in the bottom left of the screen, I have tried free trial versions and free to use DAW's and none of them see the CODE as an input. I've installed the ASIO4ALL driver but still no joy, the CODE is on the 1.44 firmware.

Am I missing something or is there a setting to change other than switching the MIDI input to ASIO?

Thanks in advance,

Rob

Hi,
owned a code 25 for a while now but only really started using it during lockdown but have to say I'm really impressed. I'm just using it for living room playing and connected to my DAW as a way of laying down ideas but seriously, it's REALLY good.

For context, I've played guitar for 27 years and working in live music has been my primary source of income (pre lockdown....) for around 17 years. I'm usually a live-sound engineer and tour manager and occasionally fill in the gaps with some guitar-teching. I'm uk-based but have international clients, mostly guitar-based, playing mostly academy sized venues but have done major festivals worldwide and one short stint of an arena tour. The point here is not to blow my whistle, simply to say I've spent a lot of time being exposed to all manner of amps and modelling.

I own a line 6 helix and while the CODE isn't as flexible with regards to I/O, I genuinely feel like it's amp-modelling, especially for crunch, fuzzy or blown out tones, blows the Helix out of the water. Not that I'm as likely to use metal tones or had much cause to tweak them but I've noticed those kind of presets can sound a little thin. Also, higher gain sounds in general could benefit from a graphic EQ somewhere in the modelling chain, as it can be prone to squeak at frequencies usually outside of a regular amps range, presumably because of the full-range nature of the cab.

So, my query is, is there any chance that the CODE range is likely to get any substantial firmware updates or maybe 2nd generation hardware that could bring additional functionality/Pro level durability and a decent footswitch... I'm impressed that you've managed to get that much functionality out of a mono-jack but a few extra switches or even just midi connectivity for use with after market footswitched to access would open the amp right up.

Personally, I'd love to see one capable of more complex I/O routing i.e. the ability to record your dry input to DAW over usb and similarly, route from the DAW to the amp input for re-amping.

Midi I/O and an xlr input with phantom and a decent sounding pre would make it a nice little hub for a solo recording setup.

Anyway, great work Marshall/Softube, really hope you develop the line further.

Every time he touched her depths with a well-angled thrust her mind scattered. She could no longer think or even resist. It took all her concentration to not moan and cry out loud.

She tried to balance, but as he pressed in, gripping her hips to slide his shaft into her, she seemed to be almost floating against him. Finally, Anne gave up trying to escape and sagged against him, letting him take her without resistance.

"Good girl," he growled softly in her ear, "take it." His pace quickened, his hand gripping her thigh with a bruising pressure.

He thrust up a couple times, as deep as he could, lifting her feet from the ground. And then just held it there. She felt him pressing into her with every muscle he had, an incredible power about to make her explode.

Anne heard Ben grunt softly and his hips arched again, trying instinctively to get his dick as deep as possible. His cock flexed inside of her once, twice, and then she felt liquid heat spread inside her. He was cumming! Panic gripped Alice again—she was unprotected and he was cumming deep inside her! She would get pregnant. Her college life would be ruined.
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Ben didn't seem to notice her renewed tension and continued to milk his cock into her depths with short jabs of his hips. And then with a sigh he relaxed, resting his forehead on her shoulder. His dick was still deep inside her, plugging her, holding his cum inside her.

"I'm not on birth control," Anne sobbed under her breath.

"It's okay, baby," Ben whispered into her shoulder, his voice tinged with amusement again, "I'll take care of it. But I don't cum outside sweet girls."

Anne could feel his cock softening by a degree. The discomfort of his cock stretching her virgin pussy to her max was replaced by the trickle of wetness down her thigh. Still, Ben did not shift or pull out of her. She wondered what kind of mess there would be when he did. She felt he wanted to plug her for as long as possible—keep his cock, and his cum—inside his conquest as long as possible.

She wriggled in his lap as Ben's dick softened, hoping to free herself from both his shaft and his grip. Unfortunately, as she did so she realized why he had not pulled out of her. Her wriggling was making him grow hard again.

"Noooo," she groaned.

"Yes," he murmured in her ear, "just relax and enjoy it."

Still disguising his movement with the jostling of the bus, Ben started to flex his hips against her again. With each thrust his shaft hardened. Now slick with both her fluids and his first load of cum, his passage was even easier. The added wetness was also reliving some of the discomfort for Anne. His free hand bobbed down to her vulva again, massaging her clit with his free hand.

Warmth and pressure was building inside Anne's core against her will. The heat spread from her clitoris to her pussy, where the friction of his thick cock was making the pressure build.

She'd masturbated before, of course, but this was something else entirely. She bit her lip and resisted the heat building as best she could. It would be humiliating to cum on a cock that had been forced inside her—and on a bus surrounded by her teammates no less!

Ben's pace with his thrusting was more measured and relaxed now that he'd come once. But his shaft was no less hard. Other than the bruising pain of her cervix when he pressed deep, the discomfort had faded. Now it was slick heat and friction building, building, building...

The orgasm took Anne by surprise, flashing over her like a wave as Ben's fingers circled her clitoris. She turned into his shoulder, pressing her face into his shirt to muffle the moan that escaped her as she shuddered in his firm grip.

She forgot about the crowded bus, and what was going on her for a moment as waves of pleasure diffused her.

What brought her back was the increased urgency of Ben thrusting into her. His free hand was on her thigh again, pulling her back further onto his cock until his engorged glans bumped against her sore cervix. He was going to cum again. But Anne's muscles felt lax and unresponsive after her orgasm, and though she pushed feebly against him he thrust hard up into her pussy one more time and came as deep as he could. She could feel his shaft twitching as he released his load—and the walls of her pussy flexed as if to drain him of every drop.

With a sigh Ben finally relaxed his grip on her. The arm around her waist softened its hold and his other hand was removed from her thigh.

Stunned, Anne didn't move.

Ben's cock stayed inside her until it softened enough to slide out of her in a rush of fluid. Then, thought a word he shifted his gym shorts and tucked away his cock as though it were a harmless tool—all still under the cover of her spread skirt.

Anne was in shock. So she remained where she was on Ben's lap, his cum leaking onto her cotton thong which he'd pulled neatly back into place over her puffy abused vulva. She'd just lost her virginity to the quarterback of her college football team. On a moving bus.
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But no one had seemed to notice. Everyone was laughing and deep in conversation or handheld videogames.

She shunted her mind away from her fears of pregnancy, as difficult as that was feeling the slickness of his spunk coating her insides right now. She would have to worry about that later. She didn't understand what Ben had meant that he'd "take care of it." At least it was over now. Right?

I've noticed that when switching channels, specifically from any other channel to the Clean channel in Green mode, I get an audible pop. Not like a firecracker going off, but definitely bothersome. If I set the Clean channel to Orange mode the pop does not happen. So, the pop only happens when switching to Clean/Green. This pop occurs when switching via the front panel buttons or my midi Voodoo Lab ground Control. 

I've had another JVM410H owner try to reproduce the issue, and they experienced the same pop when switching via the front panel buttons, but did not experience the pop when using the Marshall footswitch.

How can I correct this?