Hello, I need advice. How and where do I register Amplifier Code 100? You can register footswitch PEDL 91009, PEDL-10025 GV-2 Guv'nor plus, PEDL-10026 BB2 Bluesbreaker, Headphones MONITOR ? I live in the Czech Republic, where I bought the goods in e-shop muziker.cz.
Amplifier in combination with PEDL 91009 is really supreme . I have a month and I play all the time, much better than FENDER.
For my use bad Windows software. I'm using CODE Patch Editor, there's a lot of options and there's nothing extra. Is there any other code software? Where I can edit and create new presets, play Backing Tracks. Similar Fender FUSE. I would like to buy it :-)
Thank you in advance for your answer.
Regards, Michal :-)
!!!!!!! MARSHALL FOREVER!!!!!!!!
I phone 6 user here, latest software installed. Latest firmware installed in the CODE 50 as well. I can connect the amp and my phone via Bluetooth, but the Gateway app doesn’t even acknowledge my code to connect with it. I have tried everything I have seen in these forums from un-installing to re-installing to restarting, turning off and on. I really like this amp but this is pretty frustrating, it worked when I first got it but for some reason not anymore. Any fixes for this?
Putting two old Super PA's and one old Super Lead (or Bass, hard to say) back in service. None have any parts, so this is more a labor of love than anything. Anybody know where I could source the following?
100 Watt Super PA #20975 - has the back panel, no front panel. Would prefer a plexi front panel, undrilled, but would be fine with a metal panel.
50 Watt Super PA #10210. - has the back panel, no front panel. Would prefer a plexi front panel, undrilled, but would be fine with a metal panel.
70's era Super - Unsure whether a Lead or Bass. Has the front panel, but no back panel. Would prefer a metal back panel, undrilled if possible.
Note: Over the years I was able to find two JTM100 plexi Super PA front panels, but sadly they won't work for my projects. I think they were both from amps around 1965 or 1966 (the ones with the creme back panels), because they have the Mark IV on the front as well as the JTM 100. The holes are completely different than what are on my two Super PAs that have gold back panels. Mine were probably produced somewhere between 1967 and 1969; perhaps the front panel drilling was standardized by then (I heard a rumor that front panels were hand drilled early on).
link...https://www.ultimate-guitar.com/forum/showthread.php?t=294480&per_page=40&page=1
not my work at all, i jut found it and thought it may assist some of you
John Petrucci of Dream Theater
1)Clean Channel:
Preamp Mode: Rhythm 1 Yellow
Gain: 6
Treble: 6.5
Middle: 3.5
Bass: 3
Lead 1 Drive: 0
Lead 2 Drive: 0
Master: 5.5
Presence: 8
Dynamic Voice: 7
Power Amps set on Deep And Modern
2)Main Distortion Channel:
Preamp Mode: Lead 1 Red
Gain: 6
Treble: 6
Middle: 6
Bass: 4.5
Lead 1 Drive: 4.5
Lead 2 Drive: 0
Master: 4
Presence: 6.5
Dynamic Voice: 6.5
Power Amps set on Deep And Modern
3)Lead Channel:
Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
Gain: 7.5
Treble: 4.5
Middle: 4
Bass: 5.5
Lead 1 Drive: 0
Lead 2 Drive: 6.5 Master: 6
Presence: 0
Dynamic Voice: 3
4)EFFECTS CHAIN:
Clean Sound - basic chorus sound
Lead Sound - 602 and 460 millisecond delay with 3 repeats
Crunch - 26 milliseconds delay
Jeff Loomis of Nevermore
Pre Gain- 6-9
Low- 4-7
Mid- 5-7.
High- 5-7
Post Gain- 7-10.
Presence- 5-7
Tom Morello of Audioslave/Rage Against the Machine
Gain - 7
Treble - 10
Mid - 4
Bass - 4
Reverb - 0
Eric Clapton of Eric Clapton
Gain - 7
Teble - 5
Mid - 7
Bass - 7
Presence - 8
Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Note tuning of B F B E Gsharp Csharp (low to high)
Jimmy Page of Led Zeppelin
Gain - 4
Treble - 8
Mid - 3
Bass - 7
Reverb - 2
Kurt Cobain of Nirvana
Gain - 7
Treble - 7
Mid - 4
Bass - 3
Reverb - 2
Eddie Van Halen of Van Halen
Gain - 6
Treble - 4
Mid - 3
Bass- 9
Reverb - 4
John Frusciante of Red Hot Chili Peppers
Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7
Kirk Hammet of Metallica
Gain - 7
Treble - 7
Mid - 2
Bass - 7
Reverb - 2
Keith Richards of Rolling Stones
Gain - 4.5
Treble - 4.5
Mid - 6.5
Bass - 5.5
Reverb - 1.5
Note use of open G tuning, D G D G B D (low to high)
The Edge of U2
Gain - 1.5
Treble - 7
Mid - 5
Bass - 3
Reverb - 8.5
Brian May of Queen
Gain - 8.5
Treble - 4
Mid - 9
Bass - 5.5
Reverb - 4
Note Brian famously uses old sixpences to pick the strings of his guitar.
Jack White of The White Stripes
Gain - 8
Treble - 7
Mid - 5
Bass - 8
Prescence - 8
Slash of Guns N' Roses
Gain - 6.5
Treble - 4.5
Mid - 7
Bass - 7
Presence ? 8
Justin Hawkins of The Darkness
bass- 6
treble-8
mid-8
gain-7
reverb-5
Dimebag Darrel of Pantera
Gain - 7
Treble - 10
Mid - 4
Bass - 9
Reverb ? 0
Billie Joe Armstrong (newer) of Green Day
Drive - 6
Treble - 10
Mid - 8
Bass - 5
Reverb ? 3
Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3
Dave Murray of Iron Maiden
Drive - 7
Treble - 9
Mid - 7
Bass - 4
Reverb - 0
Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially
Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10
Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup
Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)
Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3
Angus Young of AC/DC
Gain - 5
Treble - 10
Mid - 10
Bass - 5
Gary Rossington of Lynyrd Skynyrd
Treble - 5
Mid - 10
Bass - 5
Gain - 2-3
Mark Tremonti of Creed/Alter Bridge
Gain:10
Treb.:6
Mid.:3 or 4
Bass:7
Presence:6
Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5
Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)
Tony Iommi of Black Sabbath
Gain - 7 or 8
Bass - 6
Middle - 6
Treble - 6
Channel - Overdrive
Mick Mars of Motley Crue
Gain - 3
Bass - 2-3
Contour - 2-3
Treble - 10
Channel - Overdrive
Steve Jones of Sex Pistols
Gain- 7
Volume- 10
Treble- 8.5
Middle- 6
Bass- 4
Alex Laiho of Children of Bodom
Treble: 9
Mid: 4
Bass: 7
Gain: 8
Reverb: 4
(on guitar)
Tone: 10
Pickup: Bridge
David Gilmour of Pink Floyd
Bass: 10
Middle: 6.5
Treble: 10
Gain: 1.5
or
Gain-2-3
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%
Carlos Santana of Carlos Santana
gain 7
treble 10
mid 6
bass 5
reverb 2
Jerry Cantrell of Alice in Chains
Gain 6-7
Treble 6-7
Mids 5-6
Bass 5-6
Reverb 3
Joe Perry of Aerosmith
Gain: 5.5
Treble: 2
Mid: 7
Bass: 2
Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)
Pete Willis of Def Leppard
Gain- 4
Bass-4
Mid- 5
Treble-7
Reverb-4
Billy Gibbons of ZZ Top
Treble: 3
Middle: 10
Bass: 10
Prescense: 10
Gain: about 5 (crunchy type of sound)
Use a Les Paul guitar with not to much output in the pups and select both!
Buckethead of Buckethead
Bass: 5-6
Mids: 5-7
Treble: 7-8
Presence: 6
Boost clean channel with an OD
Tone: 5-6
Volume: 5-8 (have it boost the volume of the amp a little)
Distortion: 0
Randy Rhoads of Ozzy Osbourne
Gain 7
Bass 7
Mids 7
Treble 10
Reverb 0
Stevie Ray Vaughan of Stevie Ray Vaughan
Low 10 (full)
Mid 7.5
High 5
Steve Vai
Clean:
Treble: 8
Mid: 5
Bass: 4
Lead:
Presence: 6
Treble: 6
Mid: 7
Bass: 7
Gain: 8
Kerry King of Slayer
Gain - 9-10
Treble - 10
Mid - 4
Bass - 6-7
Reverb – 3
Opeth
Amp EQ settings:
Mids: 4:30 o' clock
High:10:30 o'clock
Low: 7 (barely above 0)
Presence: 0
Resonance: 8(barely above 0)
Drapery Falls Intro Tone(for Boss GT-6):
Only things that are on are:
-Reverb(set to 75)
-Overdrive/Distortion(Metal>Heavy Metal Preset)
-Overdrive/Distortion Drive and Level set to 100
-Equalizer:
Low EQ +1 dB
Lo-Mid f 500Hz
Lo-Mid Q 2
Lo-Mid EQ +2 dB
Hi-Mid f 4.00 kHz
Hi-Mid Q 2
Hi-Mid EQ +2 dB
High EQ +2 dB
Level +2 dB
-Pedal Assign: Exp Pedal ON, Foot vol min 0
Opeth Distortion:
Only things switched on are:
-Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation)
-Overdrive/Distortion Drive and Level: 100
-Reverb: 25
-Pedal Assign: Exp Pedal ON, Foot vol min 0
-MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION
Graham Coxon of Blur
Gain 7
Treble 7
Mid 6
Bass 5
Reverb 0
Rush
Gain - 6
Bass - 8
Mid - 6
Treble – 4
Neil Young
Bass: 5
Middle: 10
Treble: 10
Presence: 10
Gain: 5
Jimi Hendrix of Jimi Hendrix Experience
Gain - 4
Treble - 5
Mid - 5
Bass - 8
Reverb - 5
Joe Satriani
1.) Gain 7
Treble 6
Mid 10
Bass 6
Reverb 1
2.) gain: 7
Treble: 6
Middle: 3
Bass: 6
Reverb: 0 (Distortion)
3.) Gain: 6
Treble: 7
Bass: 9
Mids:0
Wolfmother
Gain: 7
Bass: 6
Mid: 6
Treble: 4
Reverb: 2
Dave Mustaine of Megadeth
Gain 10
Bass 4
Contour 10
Treble 10
Matt Heafy of Trivium
Treble- 8.5
Mid-6.5
Bass-6
Gain-7.5
Reverb-none
Daron Malakian of System Of A Down (newer)
Pre-Amp: 7
Gain: 5
Trebble: 8
Mid:9
Bass: 7.5
Presence: 9
Killswitch Engage
Reverb:4
Bass:6
Mid:6
Treble:4 or 7 depending on song.
Gain:8
Random Speed/Power metal settings:
Gain: 4
Bass: 4
Mid: 8
Treble: 4
Reverb: 3
Gain: 7
Bass: 8
Mid: 3
Treble: 7
Reverb: 3
Hank Marvin of The Shadows
Gain - 2
Treble - 6
Mid - 9
Bass - 9
Reverb - 10
Pete Townshend of The Who
Gain: 5
Treble: 10
Middle: 10
Bass: 10
Reverb: 3
Cradle Of Filth
Gain: 10
Bass: 10
Mids: 1
Treble: 10
Volume: 10
Boston settings
Gain - 5
Treble - 5
Mid - 10
Bass - 3
Reverb - 0
Rammstein
Bass: 9-10
Mids: 4-5
Treble: 9-10
Gain: 10
Phish- Chalkdust torture
Gain:6
Bass:8
Mid:7
treble:4
reverb:3
Dez Cadena of The Misfits
Gain: 9
Bass: 9.5
Mid: 6
Treble: 5
Post gain: 5
Zakk Wylde of Black Label Society
Preamp: 10
Volume: 4-6
Bass: 10
Middle: 4-6
Treble: 4-6
Presence: 2
John Squire of The Stone Roses
Gain 7
Bass 7
Mids 7
Treble 3
Reverb 5
Andy Summers of The Police
Gain 5
Bass 7
Mids 5
Treble 5
Reverb 5
Paul Weller
Gain 7
Bass 10
Mids 10
Treble 10
Reverb 3
Strapping Young Lad
Gain 7
Bass 8
Mids 6
Treble 7
Reverb 0
Darkest Hour
Gain-6
Bass-7-8
Middle-7
Treble-5
Presence-7
Allan Holdswoth
Gain: 2 o'clock
Treble: 2 o'clock
Middle: 2 o'clock
Bass: 0
Presence: 10 o'clock
Brendon Small of Dethklok
Gain- 8-9
Treb-5-6
Mid-6
Bass-8
Jeff Beck
Gain - 10
Bass - 6
Mid - 5
Treble - 7
Reverb - 4
Tool
Bass: 4
Mid: 4
Treble: 8
Gain: 7.5
Testament
Bass- 6-7
Mids- 2-3
Treble- 4
Presence- 7-8
Gain- 5-7
John 5
Gain- 3-5
Bass-10
Mids-4
Treble- 8
Savatage
Gain 9
Treb 6
Mid 2
Bass 5
Presence 6
Thurston Moore of Sonic Youth
Gain 6
Treble 8
Mid 3-4
Bass 6
Radiohead - My Iron Lung
Drive: 10
Treble: 6
Middle: 7
Bass: 6
Reverb: 3
Herman Li of Dragonforce
gain- 10
bass- 8
mid- 5
treble 7
Yngwie Malmsteen
Bass 5-7
Mid 2-5
Treble 6-8
Presence 4-6
Volume 10
Paul Gilbert of Racer-X
Gain 7
Bass 7
Mid 5
Treble 7
Misery Signals
Distortion channel
gain-5
bass-6
mid-5
treble-6
resonance-5
presence-6
clean
gain-2 or 3
bass-8
mid-5
treble-4
resonance-8
presence-3
Norma Jean
gain:7-8
bass:7
mid:4
treble:6
Queens Of The Stone Age
Gain: 7
Treble: 3
Mid: 8
Bass: 6
Reverb: 0
George Thorogood
Drive: 6.5
Bass: 2.5
Mids: 7
Treble: 8
Chan. Vol.: 7.5
Slash of Velvet Revolver
Gain: 5-7
Treble: 4-6
Mid: 7-8
Bass: 6-8
I down loaded the new update to my code 50 amp from my computer, display on the amp reads Ready for Update what do I do now?
Hello,
i switch through my presets with the Marshall PEDL-91009, however, this pedalboard only has 3 switches and a bank switch, however i would like to have a pedalboard with more than 3 preset switch button for faster recall ... is there a solution (maybe via MIDI) , or a compatible footswitch that i am unaware of?
Hello everyone,
is it possible to deactivate that notification sound, that signal going into stand by on the Acton?
Hello everyone,
my Acton shows a latency when connected via Bluetooth to my Laptop. Youtube Videos arent lip-sync anymore.
My Killburn does not have this problem.
What can I do, if there is something that I can do and not Marshall?
I had been getting this strange, horrible sound out of my Marshall JVM 410c while it was warming up on standby, and I thought maybe it was picking up a random signal from somewhere...(I live in a beehive of an apartment complex)...Anyway, today, I decided I would record the sounds on my iPad so I could get some professional help. After I turned the amp on, about 30seconds in, it started that noise again...after about another minute, I took the amp off standby...I had it on OD1 orange mode, when all of a sudden, I saw a flash of light from the back of the amp...and BAM! It scared the crap out of me! What happened! Did I blow a transformer or a fuse or something??? I was heartbroken! I know something is seriously wrong with my amp. It won't sound a note. It's completely silent....What happened? What did I do? Please help! I paid too many pennies for this amp to go out like this! BooHoo! Thanks, all! Any advice, opinions, suggestions would be greatly appreciated! I love this amp but it needs help!!!
hello,
I’m having problem with my CODE25 amp knobs( bass, treble, volume, gain, middle) like whenever i change bass , treble or anyother knobs changes by itself by 0.1-0.2 . And while changing one knob, another knob presets values flickers in between.
I want to know if anyone else having the same issue or there is problem with my amp or its a firmware glitch..
please help me...
Hey all - new to the forums, new to Marshall amps and had a few questions about the Code 50 I just ordered that will be here in a day or so. I have played my guitars through my buddy's Code 50 and am familiar with editing the patches, tweaking the tones and getting the sounds that I want from the amp to fit my playing style. What I am not familiar with is the use of footswitch and any Midi capabilities it may have.
1) Can one use just a regular on/off type of old school footswitch to turn an effect or amp on/off or initiate a patch change? I have several old school footswitches I have successfully used on many different amps, albeit older amps, and it has always worked. Curious since the Marshall footswitch actually holds presets if anything like that would work.
2) As far as Midi goes, I come from a Line6 multi-effects world and know that many of their multi-effect units have the capability to control effects on/off/parameters and patch/bank switching via Midi commands. Does the Code software have anything like that if hooked up to a PC/Mac running a DAW that has the capability to send midi control commands to change patches/effects realtime during recording/playback.
Thanks for any input and excited to get this amp. I am a player of over 30 years and have only ever played through Crate amps for the past 20+ years that have finally given up and the cost to repair is more than new. Bash Crate all you want but they were loud and proud and with the right EQ/effects loops made some damn good musical sounds.
Hello,
I use a Marshall DSL 40 C and i would like to have an extension with one Marshall 1960 AV.
On the Marshall 1960 AV , connections are : -1 x 4 ohm imput or 8 ohms right
- 1 x 16 ohms imput or 8 ohms left
- a selector for Mono or Stereo
I read that he DSL40C can drive either 1x16 ohms ,1x8 ohm or 2x 16ohm cabinets.
My questions are :
Can I use the internal speaker and the external cabinet together ? . I know that to use only the DSL 40 C , the connection is on the 1 x 16 ohms socket.
I have only one cabinet , which selector position is correct ? Mono or stereo.
Which connections are correct ?
Thanks for your help .
Regards
Fred
Hello,
when will be ready update for Marshall CODE with fix of very big latency in switch presets?
our Marshall CODE is unusable for this issue
thank You for answer
MASAKR
whats the best option to use preamp pedals with marshall code 25?
Hello, WiseOnes...While powering up my JVM 410c with various effect pedals (some are daisy chained/9v, one is powered by an 18v adapter), while the amp is in standby mode, I get this squeal, like a howl from hell, that sounds like my amp is being consumed from the inside out...(okay, I exaggerated a little...) but it sounds horrible. After a while, it recedes, then goes away...at first I thought it was like some type of random radio/tv signal being picked up somehow, but I don't know. I'm probably doing something stupid with the pedals, right? HELP!!! Thanks, you guys!
No automatic bluetooth connection after firmware update.
Please solve this problem.
Or support firmware rollback!
Does the Code 50 have looping capabilities? If so, how do you access it?
How can I check which version of firmware is loaded on my Code 25 bought in March 2018?
Hallo,
I have a Marshall TSL100 from 1998. I have watch a video on youtube recently where a guy swaps his main board wich for TSL original is issue 6 I think and puts on issue 20. So my question is can I maybe buy such board direct from the factory in Milton Keynes UK and what will cost if it’s possible at all?
How to best use external pedal (Blaskstar HT Metal distortion pedal) with Code 50 amp?
